Zambretti Weather Forecast Algorithm

Date:10 Aug, 2023

Time: 7:45am (valid for 12 hours)

Mostly fine.  Showers clearing.   

Location: 46°35′45″N, 112°1′37″W

Altitude: 4,058 feet (1,237 m)

Time zone: (GMT-7)

Days Running: 97

Current Accuracy: 82%

Cleaning up and Re-inventing.

Just deleted a bunch of old stuff.  Not sure what is to come.  Maybe nothing at all.  We will see.

Humane Society Day!

Humane Society Day

All Images © chris martin photography

Humane Society (32) - Staff

Today we feature the shelter Development Coordinator, Kelsee and her pup Roo. This is how Roo began the session - clearly not concerned about letting us know exactly how she felt about this whole thing. Thanks to our amazing handler Tanner, she came around - although quite serious at least half of the time.

 All Images © chris martin photography

Humane Society (30) - How To Shoot 3 Puppies In A Row

I actually do nothing.  I set up the stuff and the position myself on the floor - ready to snap away.  The amazing people at the Humane Society do all the handling and we use two to get all of our shots.  I do get to be a mini-trampoline for curious puppies who like to pull my hair, jump on my back and lick my ears and my lens, but that is hardly work.  This week we decided to throw a gelled speedlite on the background and that added just a tad more complexity.  So, here is how it came together...

1st shot

Immediate boredom

Bring out the toys + handler blocking the gelled speedlite

simultaneous attention - seemingly impossible

where is #3?

new idea

somebody didn't get a toy

who is blocking the light again?

getting close

almost there - everybody needs to look this way!

Yes! - No! The gelled light didn't fire!

Got it, but..., how about just 1 more?

Winner, winner, chicken dinner!

And that's all there is to it - piece of cake!

All Images © chris martin photography

Pet Portraits

Yesterday I posted a shot of the makeshift mini-studio we had to set up due to the weather.
Here are some shots form the session today.

Canon 5D, Canon 24-105mm f/4 L IS USM
ISO-100, f/9, 1/125sec.
1 key light in front (softbox or beauty dish w/ grid), 2 background lights

All Images © chris martin photography

Micro-Home Studio

Session tomorrow.
Winter is here and too cold for the garage studio.
11' x 12' x 8' alternative - yikes!

All Images © chris martin photography

Think Tank Photo - Retrospective 20 - In My Bag 1

(On Location) technical photo/video: Dell XPS 1330 & cables, 7D, 70-200, 24-105, 10-22, PWs, 580 EX II, Tascam, headphones, batteries, hard drive, lens cloth & pen, card pouch, card reader

(Africa) portrait/interview sessions: 40D, 7D, 70-200, 24-105, 10-22, PWs, 580 EX II, Tascam, headphones, LQ softbox III, speed strap, gels, nano clamp, mini-ballhead, batteries, 5-in-1, journal, leatherman, lens cloth & pen, deet & sanitizer

All Images © chris martin photography

Keeping It Simple - Back To Africa: Getting the Gear There

Previously I declared that I once I got to Africa I would be shooting out of the Domke F-2.  Well, um, maybe.  I had completely forgotten about having to carry a laptop on this trip since I will be there so long.  So now, add a Dell XPS M1330 laptop to the gear needing to be transported.

One option is to carry the laptop in the backpack I will also be carrying in addition to my camera bag.  The problem here is that I hate wearing a laptop, in a backpack, directly against my back or placing the backpack down on the laptop.  Not only is it very uncomfortable, but in my mind I hear the screen snapping in half with each step.

So now the battle begins for what camera bag as a carry-on.  This whole thing is about keeping the gear for this trip as simple as possible.  That would mean just the backpack and the camera bag so I’ll just put the laptop in the Domke.

Apparently, I won’t put the laptop in the Domke.  Coming back into the picture now is the Think Tank Retrospective 20.  Where I live, every flight into and out of home is on a small regional jet.  For the last few years I only travel with bags that I know will fit both under the seat and in the overhead and that includes the Domke F-2, the Retrospective 20, (the Tenba Camera Messenger), and the North Face Surge.

After reading some great stuff on Flying-With-Fish I have adopted a similar approach and the plan for getting gear there is to split the gear in either two Mountainsmith Cube Kits or one Cube and one Think Tank Chimp Cage, placing one in the backpack and one in the camera bag.  

This disperses the weight, gets my travel essentials next to me in the camera bag and leaves room for extra clothes and toiletries in the backpack.  When on a trip like this, you need to be able to carry the stuff you have to have, plus some backup stuff in case you and your checked bag never see each other again.

Not only does the Retrospective 20 easily handle the laptop, but it will also swallow a Mountainsmith Cube Kit, or better yet the Think Tank Chimp Cage, portable hard drive, audio recorder, G12, iPod, glasses, etc.

Now I am re-thinking the shooting bag.  It really doesn't follow my “Keeping It Simple” plan to take one camera bag to get gear there and then another camera bag once there.  As long as I was testing the Retrospective 20 for what is could carry on the plane, I thought why not see what it could handle for shooting out of.

To my surprise, it will hold everything I plan to be carrying each day: 40D w/ 24-105mm f/4 attached (on the left), 7D with 70-200mm f/2.8 IS attached (in the middle), 580 EX II and 10-22mm on the right, PWs and other small accessories in the front.  It even has straps on each side in case I feel I need to take other small modulars for a little more capacity.

I guess it just got simple again, but bad news for the new Domke – it will be staying home.

There is also all of the Think Tank “little stuff” - they go nearly everywhere with me:

Chimp Cage (top left) – This has seen hundreds of different items inside based on the trip

Modular Pouch (bottom left) – where my G12 or PWs live

DSLR battery holder (top middle)

Battery holder (middle)

Camera strap (right) – different colors on different bodies.

Keeping It Simple – Back to Africa: The Shooting Bag – Domke F-2 Two Body Configuration

I like camera bags.

This is about the bag I will be shooting out of in Africa this time and not what bag I will use to get the gear there.  I have a camera backpack, but I never, ever shoot out of it anymore.  I had three primary shoulder bags that are used for completely different reasons.  I have added a fourth and that will be my shooting bag for this trip.

The Crumpler 6 Million Dollar Home  – my wife has stolen that bag from me.

The Tenba Camera Messenger  – up until recently this was my main bag.  It has a good amount of room including lots of little pockets and storage areas, is very durable, and I feel my gear is very safe.  I have been able to get my Dell XPS M1330 in there with a limited shooting kit.  I often take this bag when traveling by air as it goes under every seat of every small regional jet there is.  The only downside for me is that it is a little like carrying an Igloo Playmate cooler.

The Think Tank Retrospective 20  - This is another favorite when traveling by air, but often used more as a briefcase for the laptop, small shooting kit and other travel stuff

The Domke F-2 Ruggedwear Shooter’s Bag  - I decided on this bag for the upcoming trip because it had “Shooter’s Bag” in the name.  Not really.  I picked up a Domke a few years ago and literally said out loud, “Are you kidding me?”  I guess I just didn't get it.  I have changed.  When this arrived, I filled it with gear and placed it on my shoulder and said “Wow!”

When I took it to Seattle a few weeks ago and used it when shooting a wedding, I came back saying “Wow, O’ Wow!”  This is the bag for me.  However, and I must admit, it wasn’t perfect.  For the Africa trip, I am taking two bodies.  I have a different configuration for a one body shoot-out bag.  Neither that nor the above configuration works for a two body shoot-out bag..

Enter Flying With Fish and a great suggestion – the Mountainsmith Kit Cube!  I had previously picked one of these up after reading the Flying With Fish blog.  I also use the Northface Surge backpack, as my briefcase, and the Mountainsmith Cube fits inside perfectly as well.  After reading that other Domke inserts would not provide the two body configuration I was looking for, I thought what about the Cube?

 Canon 7D with 70-200 f/2.8 in front, Canon 40D with 24-105 f/4 in Cube, plus an extra slot.

Remove the Domke insert, replace it with the Cube and not only does it become a two body solution, but I have a nice extra slot for a flash or the ultra wide I am also taking.  I do have to remove the grips, but that makes everything lighter anyway.

For me, this is the perfect solution for 5 weeks of shooting in Tanzania – comfortable, practical and blends into the surroundings better.

Coming soon - How to Get the Gear There.

Keeping It Simple – Back to Africa: Lenses

At the end of Part 1 I promised this post would be about the bag. I got ahead of myself.

On last year’s trip, I took four lenses: 10-22mm, 24-105mm, 50mm, 70-200mm, plus a 1.4x TC.  These items, plus all the other stuff: body, tripod, monopod, flash, triggers, etc. were lugged along, on my person, for 10-12 hours a day, in the backpack and/or the Think Tank modular pouches.  It was heavy, uncomfortable, and little unwieldy and I looked silly for where I was.  For this trip the goal is just two bodies and two lenses.

Using Adobe Bridge filters, I looked at how I used, or if I used the collection of lenses that I took last year.  The Bridge results very interesting.  I realize that the results (left) were a function of what I took, but I still think that is good information.  I had to dig a little deeper into Bridge to see what different focal length range data looked like and then call up a trusty spreadsheet for a little analysis.  It looked to me like I could really get by with the 70-200mm and a new wide telephoto, say in the 15 or 17 to 55 or 85mm.  I never even used the 50mm prime.

Thus began hours and hours of researching a new wide telephoto. Seemingly the answer would be simple, except that a new lens was NOT the only item on my list of other items to acquire.  Add to that the wide cost and quality range of lenses in this category.   This single issue has sucked away more of my time than I even care to admit.  The only wide telephoto that I could possibly afford was going to be the Tamron SP AF 17-50mm f/2.8 XR Di II LD IF or the Sigma AF 17-70mm f/2.8-4 DC HSM OS macro.  The Canon 17-40mm F/4 L USM or Canon EF-S 17-55 f/2.8 IS = too pricey.

I actually used to have the Tamron 17-50mm.  It went to Scotland with me in 2007 and did a fine job.  I sold that lens to my son and he let me borrow it yesterday to shoot around with.  While it was fun to shoot with again, there were some things that I just don’t think are going to work.

• I had forgotten how loud the motor on that lens is.
• In high contrast situations, it never, ever found focus.
• IS can really come in handy in certain situations.

This is not a vacation trip where sometimes convenience can overshadow a little drop in quality.  Not to slam lenses like the Tamron, but the existing stuff is just better than the affordable alternative.

Keeping It Simple - Back to Africa: Planning

(This post is the first of a few to come discussing the upcoming trip to Tanzania for my company’s amazing NPO that empowers students around the world to make clean water available to every other student through the power of a playground.  For more information about the project please visit: www.WaterPowerPeace.org)

Before last year’s trip to Tanzania I spent an immeasurable number of hours trying to figure out exactly what gear to take, how to get it there and how to carry it all with me all day long.  This planning involved gear and review sites on the left monitor – and – spreadsheets for comparing items and organizing ideas on the right monitor.  I have no nearby camera store so everything has to be compared numerically and extensively reviewed.  To see everything I took last year, look back at my old Traveling With Photo Equipment post

Essentially I took all my gear in Think Tank and Lowpro modular pouches, stuffed inside a Mammut Nirvana Pro (35L) technical pack.  Once on location, I swapped out the waist belt with the Think Tank belt and pulled out all the modulars.

What I didn’t like about last year's system was 1) it was too heavy for all day, every day, 2) it was too bulky to toss around, in and out of land rovers, and 3) I looked like I should have been on the sidelines of a game, not in Africa!

For this year’s trip, I really want to keep it simple!  So again, I have spent an immeasurable number of hours trying to figure out exactly what gear to take, how to get it there and how to carry it all with me all day long.

Next post: the camera bag – finally a solution!

Video - High School Team Poster Photo Shoot

High School Team Poster Photo Shoot - Video

(Video of a high school poster session by my eldest son.)

All Images © chris martin photography

DIY DSLR Follow Focus - Rack Focus

I am always at a complete loss when shooting DSLR video and needing to easily find the focus, or zoom ring.  I grab the wrong one or miss it completely and end up with noise and movement in the final shot.  What I needed was a follow focus ring that attaches to the lens.  These things make it as quick and simple as possible to rotate that focus ring while shooting.

A little internet research will provide a plethora of DIY solutions.  The one I liked the best was an idea presented by knoptop here.  It uses silicon jar openers.  The only problem was that the recommended vendor no longer carried these things.  I am not a patient person so upon learning that I couldn’t run out a grab a few, I went to work thinking of what I could use that was laying around here.

Enter the filter wrench (Adorama: small - big, B&H: small - big).  I have a bunch of these in different sizes.  So I tried a few.  They work great!  If you have followed at least my recent posts you will know that two criteria must be met for new gear and accessories and using existing filter wrenches perfectly met all the criteria – no added bulk or weight and it didn’t cost me a thing.

I eventually found the jar openers at Target and bought all they had left.  In practice I use a variety of combinations of both the jar opener and the filter wrench.  Sometimes I need a rubber band around the top of the filter wrench, but that doesn’t affect its function at all.

DIY DSLR Video Stabilizer – Mash Up

 

Somewhere previously I mentioned that I had made the jump into DSLR video, with my employer’s purchase of a beautiful Canon 7D.  It was only a matter of minutes afterward that I was looking for accessories to help me get the best material I could with this new body.

There are two important factors that are always considered and weigh heavily on all of my new gear acquisitions:

1. When I shoot for work, I am traveling on planes to get to sites and once on location I am carrying everything that I brought, day long.  So, it has to be something I really need or can use in a variety of beneficial ways AND it can’t add very much to the existing travel kit.
2. Money is as hard for me to squeeze out for new gear as the next guy, so if I can make something from stuff I have on hand; it is a win-win!

I have been shooting video with my old Canon Optura 20 for years and have used the great idea I saw on a Scott Kelby blog post: “It’s Guest Blog Wednesday featuring AaronGreene”.  In Aaron’s words, “I rigged a super clamp at the bottom of my collapsed monopod as a sort of steady cam. I’d hold the monopod with my right hand and pull focus with the left letting the clamp act as a weight about 18 inches below the camera... If you have a monopod and a super clamp, try it out! It should help you make smoother movements.”

This has been a great suggestion that I have used for years.  I always have a monopod and a Manfrotto superclamp with me on location.  While superclamps are heavy, they aren’t that big and I have needed one on almost every trip.  So, both of the above criteria were met and it was a perfect solution.

While looking around at other stabilizing rigs on the net that are out there for DSLR video, I ran into the “$14 Stabilizer”. I thought it was interesting and very much liked the horizontal handle, thus getting both hands off the camera body.  Building one of these was breaking rule #1 above though as it was just more stuff and weight to be dragging along with me.

The solution was to peruse all of the Manfrotto accessories that are available for superclamps.  Enter the Manfrotto 042 Extension Arm (Adorama, B&H).  Add another superclamp (why wouldn’t anyone want to do that) and you have what for me is the perfect stabilizer.  Criteria #1 was met and well, half of criteria #2 was met as I did have to spend a little cash. 

Sometimes Give it Away!

It certainly feels good and I wish I could be there when the mail arrives in a few days.

A very wise mentor of mine has had an extremely rich and full photographic career for over 67 years.  He has traveled the world shooting nearly everything imaginable, often people and events typically not open to the photographic community.  Doors are opened as relationships are created.  Part of culturing the relationships is offering and following through with sending some prints back after they are developed and processed.  The offer to send photos is extended and they are actually sent.  Days, months or even years later when access is then again requested, the doors are open and remain open as the process is repeated.  

On a recent trip to visit and spend time with him, we were able to spend the day shooting a culture rarely open to photographers.   We were granted such access because of the relationships he has formed over his long career.

I, and maybe even you, I’m sure have wanted a shot of a stranger and offered to send them a print if they will allow you to take their picture.  I’ve said it and then later, for whatever reason, haven’t followed through.  Maybe I wasn’t happy with the photo, I just got too busy or maybe I forgot.  Whatever the reason, it really doesn’t matter.  This lack of ethics simply doesn’t cut it with my mentor.

As we were driving back from our day of shooting and talking, he urged me to stop along the lake we were bordering to get a few shots of the fall colors.  Twice, I pulled the car over, neither time liking the perspective.  On the third try I saw a dock that would be perfect.  I grabbed my gear and headed down to the water.  Immediately upon my arrival at the dock the family that was there fishing erupted into a chorus of hooping , hollering and cheering.  The youngest member of the group had just bagged her very first fish.

The spirit of my mentor, who was resting up in the car, flooded into me and my normally very shy self races up and says “let me grab a few shots and I WILL SEND YOU THE PICTURES.”  Of course I looked around to see who was speaking and it was in fact me!

I grabbed a few photos, exchanged mailing information and then heard the whole story about this contemporary American family - turns out this was a pretty big deal for them.

It pleases me very much to say that yesterday I mailed some 5x7s and an 8x10 of her “first fish”.

DIY – Ray Flash and PW miniTT1 Setup

[Inspiration for my setup came from a Photozo post here.]

You cannot use the Ray Flash as intended when you also have a Pocket Wizard miniTT1 on the hotshoe.  DIY fix:

• Camera on tripod
• PW miniTT1 on the camera hotshoe
• GI transmitter on the PW miniTT1 hotshoe – which now works thanks to the recent miniTT1 firmware update
• Sturdy light stand with mini-boom (fully collapsed and parallel to the ground)
• An old metal umbrella bracket attached to the mini-boom
• A new, common umbrella bracket attached to the metal umbrella bracket (this gives me lots of adjustment flexibility without relying on the mini-boom which wants to rotate due to the weight)
• GI trigger attached with a stud to the common umbrella bracket
• 580 EX II in the GI trigger hotshoe
• Ray Flash mounted upside down to the 580 EX II

A little troublesome to move around!.

DIY – Tri Flash Bracket

NOTE: Not claiming to be the inventor of this idea!

I do not recommend using this with an inexpensive, hollow tube umbrella.  Although having a flash on each side does provide nice balance, you still have to tighten it down a little hard.  Second, it is a little unwieldy to get set up, but I will admit that it never budged during the hour long session.

Details:

• Umbrella bracket #1 – set up normally, with one flash on top.
• Umbrella bracket #2 – a flash on each end.
• The umbrella goes through its normal hole in the dual flash bracket, then continues on to through the hole in the bracket mounted on the light stand.  Adjust the angle of the dual flash bracket as needed to get the best full coverage you can.